Good, Good Dice Bags for Those Good, Good Boys

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I have previously spoken of my love of the McElroy brothers, and if you are new to my special breed of knitting-based insanity, I highly suggest you click that link and read all about it. When I wrote that particular post, I was merely only full of the Candlenights spirit, and had no idea of what was to come the following year.

One frantic morning, I spent the better part of an hour sitting in front of my computer and cell phone, all hopped up on not yet having slept after a 14-hour night shift, alternating refreshing each screen and texting back and forth with my friend Bailee’s friend Chelsea as we attempted a coordinated strike to obtain precious tickets for two McElroy shows in a row.

Let me back up a little bit. The McElroy brothers, and their charming father Clint, announced that they would be recording two separate live podcasts in Austin at the end of May. Opportunities to see BOTH My Brother, My Brother, and Me and The Adventure Zone, the greatest D&D podcast that I have ever had the honor to listen to, dangled in front of me. (It’s actually the only one I listen to, but when it’s THAT good? You only need one.) My friend Bailee and I knew that we had to get tickets, but the problem was that each show was only being sold separately, and both lots of tickets went on sale at the same time, at about 10am central time when I would normally be sleeping (because night shift makes you a vampire-person) and Bailee would be working as a productive non-vampiric member of society.

What to do?

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You make it wooooooooork. You enlist Chelsea, one of the greatest and most devoted supporters of other people’s silliness (and just freaking awesome person), to purchase TAZ tickets at the exact same time while Jinger is sitting at her computer, still awake after 14 hours of screaming, vomiting children, poised to click as fast as possible to get those good, good MBMBAM tickets.

You join the hundreds (thousands?) of other rabid McElroy fans that have the exact same brilliant plan that you do. And then you crash the damn website.

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That’s right. So many people were ravenous to see these ridiculous podcasters that the ticket website was completely overwhelmed, which resulted in everyone getting “stuck” in the queue for tickets for over an hour while everything stalled. What to do when that happens? Chelsea, that brilliant girl, gets on the phone directly to the theatre, and actually gets through. She bypasses the system and scores orchestra seats! And then you do the same! Miraculously! Much dancing about in your chair occurs, as well as joyous proclaiming of your mutual awesomeness splattered all over Twitter for rational people to ignore. Seriously, Chelsea, you’re my hero.

After all the excitement settles, you’re left with a question. What on earth do you make to give to these wonderful podcasters, especially since they will be the first ones in history to receive two (2!) handknit gifts from you that are not directly related to you? Or Dan?

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Dice bags? Dice bags!

We all know that I hold a special place in my heart for acting-intensive roleplaying games. And every roleplaying person worth their salt needs a good, sturdy dice bag to hold all of their special treasures, right?

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I chose Knit Picks Dishie for these, and it definitely didn’t disappoint. Lovely saturated colors (Ash, Eggplant, Navy, and Silver, if you want to know…), a hint of a sheen, great stitch definition, and sturdiness that somehow also remains soft and pliable. Good, good stuff.

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But you can’t just let things be simple, right? Of course not! It’s just not a Jinger-project for famous strangers unless it involves a silly amount of duplicate stitch.

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I sat down with a glass of wine and a screenshot of the Lord of the Rings handwriting font (click here if you’re interested in the exact one, for some weird reason), translating them into knitter’s graph paper to make custom monograms. Like a completely sane person.

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Yep.

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All kidding aside, there are few things I love more than well-executed duplicate stitch. It’s so satisfying to do when you hit a really good stitching rhythm, and it’s really fun to sit down with the graph paper and chart out something lovely, especially when it turns out exactly the way you saw it in your head. These letters, in particular, please me, due to the varying line-weights in the strokes, and how those things actually still come across in the final, embroidered version. It felt really good watching them “develop” right in front of me while I was working on them. When I finish writing up the pattern so that everyone can make one, I’ll be sure to chart out the other letters in the LOTR alphabet style so that you can enjoy it, too.

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It seems like you have a lot of dice until you lay them all out. Maybe some clever cropping?

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Better!

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Do we think Justin, Travis, Griffin, and Clint might like them? I hope so. I hope that they like the new dice that I picked out to go with them, too, because what’s good is a new dice bag if it’s empty?

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I tried to pick colors to coordinate with their bags, and also just ones that were pretty. Because opening up your dice bag should feel like looking at little precious stones. Little precious stones that could make you a triumphant hero. Or they could make you trip on your shield and split your tongue in two so that you have disadvantage on all spell-casting, and you’re a cleric.

I might have a little bit of experience in critical failures, you guys.

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To the McElroys: Wengelbertina Slapdeback, my all-time favorite character I’ve ever played, a holy cleric of Pelor who also looks like a German beermaid who could beat your ass down with her flaming longsword, prays that all your attack rolls are crits with max damage. And I hope you guys don’t get overwhelmed with all of the aggressive nerdiness coming your way this weekend in Austin.

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Amen.

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Mr. Miranda, I Made You a Whole Bunch of Hats

28 hats, to be specific.

Maybe I should explain.

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Mr. Lin-Manuel Miranda, if I can be frank and weirdly honest, I have decided, for some reason, that part of my mission in life is to create handmade (and often hand-designed) knitted objects for people that inspire me. I made David Sedaris an owl. I made Eddie Izzard a squirrel. (Whether he ever received it is another issue entirely.) An eggroll cat toy for Joy the Baker. A Reading Rainbow scarf for LeVar Burton. And then, most recently, some really aggressively patriotic hats for Chris Evans and Hayley Atwell.

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I can’t really explain why the urge to do this initially took hold, but I’ve come to feel like this is my way to express how much something that someone has done/is doing moves me. While experiencing the creative works of others, I often have some strange feelings of ineffectualness mixed in with my enjoyment and awe. Almost like, it’s impossible for me to love things deeply without being somehow slightly saddened that I didn’t get to be a part of them. So, making something heartfelt with my own fingers helps me to feel creative and part of the process, while also covering people who deserve it in handknit love. Make sense?

Probably not.

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Anyway. I started out my professional life with a degree in theatrical lighting and scenic design from Carnegie Mellon University (proud alma mater of two of your castmates, the always amazing Leslie Odom, Jr. and Rory O’Malley [they graduated the year before me, actually]), and I thought that theatre was always going to be a part of my life. And it was, for a while. I worked in corporate theatre. I was the designer for a very small theatre company in Colorado that has since gone on to have quite a bit of success without me. It didn’t work out the way I thought it would, and I moved back home fairly aimless until I found nursing.

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I work as a pediatric nurse in a very busy hospital, helping children with kidney problems, cardiac issues, and traumatic brain injuries. I work night shift and exhaust myself all the time, but I really do love my job. That is, unless I’m thinking about the life that I somehow missed in theatre, despite my fancy degree and head full of big ideas. The creative outlet that didn’t pan out somehow.

And instead, I knit.

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I cover people that I love and admire with stitches formed over countless hours that would otherwise be wasted sitting around and eating crackers and watching The Wonder Years on Netflix. (Who am I kidding? That show is awesome. I watched nearly the entire thing while making these hats, plus lots of Top of the Lake and Amadeus.)

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117,015 stitches, to be exact. That’s how many stitches it takes to make enough hats to cover not just your head, but the heads of everyone in the cast of your brilliant show Hamilton (at least according to the list inside the soundtrack, but if you need more, just let me know!) to show you guys how much I care about what you do. I love musical theatre, and particularly your show, so much that it makes me ache inside a little. I scream-sing in the car, simultaneously loving the wordplay and feeling that twinge in my gut because I couldn’t be a part of it.

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So, I’ll be at the matinee show on Saturday, June 11th with these hats, knit with nothing but love and affection for you and all that you do, trying not to be too awkward, if you’ll have them. I’ve been told that giving them to the house manager is probably the best way to make sure you’ll get them. Let’s hope that’s true.

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Thank you, Mr. Lin-Manuel Miranda, for making a piece of art so lovely that it makes stitches leap from my fingers. I hope that these small tokens return part of the favor.

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Knitters? Want to know the specifics here? I bet you do!

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These Hamilton hats were knit up using my very own Oh Captain, My Captain hat pattern, cleverly tweaked (if I do say so myself) to resemble the Hamilton logo. This version is knit up in Brown Sheep Nature Spun Worsted, in the colors Pepper and Goldenrod.

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I think Steve might be a little jealous that these came out even cooler than he and Bucky’s colorways. Almost looks like…bumblebee roller derby? That sounded cooler in my head.

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I got so freaking good at knitting these hats that I was averaging slightly less than 6 hours per hat, the last one clocking in at 4.5 hours on the dot. It’s safe to say, I really don’t want to knit any more hats ever again.

At least for about a week. My fingers are really tired.