Kai-Mei (or…Dark Purple Socks Are Impossible to Photograph)

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I have had a skein of Mountain Colors Bearfoot in Mountain Twilight sitting around in my stash for at least 6 years now.

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It is, quite possibly, the most beautiful sock yarn in the entire world, and I was hoarding it for years simply because there were no patterns that justified its use. It’s a superwash wool, mohair, and nylon blend that you would swear had silk in it due to how soft and slippery and smooth it is. The color is the absolute darkest blues and purples imaginable, with little bits of magenta and gold streaks. You can understand why I wanted to wait. Instead, I would just occasionally take it out of its drawer and pat it admiringly, and then put it away with a bit of a sigh.

Recently, I attempted to make Cookie A.‘s Kai-Mei socks with Noro Taiyo, and the result was…a mess. The yarn was simply not right in any way, shape, or form for the delicate goings-on of Kai-Mei.

Mountain Colors, though? Perfection.

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Kai-Mei is a joy to knit, especially if you are a big sock-knitting nerd, like me. It has a wonderful little lace flower-heart-type motif that is not only asymmetrically placed, but also runs across the top of the sock diagonally due to a lovely bit of increasing and decreasing engineering ingenuity.

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I know that it doesn’t sound like much in words, but a whole bunch of knitters just thought that sounded totally awesome.

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This type of gusset decreasing results in a relatively normal-looking ribbed sock on one side…

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…and totally bad-ass diagonal lace on the other.

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Here’s Cookie A., stating it much more succinctly and poetically:

Shifting the gusset decreases to one side of the lace panel causes it to angle across the top of the foot, demonstrating that the path taken need not be traditional.

How do you not immediately mark that with a post-it with an exclamation mark on it and pledge your most precious skein of sock yarn to it? You are just compelled.

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This pattern is not without its tricky bits, though. Firstly, there is a whole lot of 3×3 ribbing that you have to get yourself through before you get to the exciting part.

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The heels are fairly standard as well, and you are so excited to do this diagonal lace thing that you just fly through it.

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And while you are knitting that awesome diagonal lace, you run up against a configuration like this. You have one needle with the standard amount of stitches, one with only a few that are consistently dwindling away, and one with a whole boatload that are getting difficult to navigate. If you’re doing the right sock, add in a stitch marker there, just to make things more interesting. It becomes like a weird little balancing act, trying to knit all of the stitches properly and follow the pattern while also avoiding dropping all of the stitches accidentally off of the tiny needle (which may have happened once when I decided to slide my stitches to the end of the needle with a little too much gusto) and piercing yourself in the hand with all of that extra needle that is sticking out at all sorts of odd angles. It’s very porcupine-y.

Why not just rearrange stitches, you ask? Well, the spaces between your needles are acting as your stitch markers, letting you know when you transition between thematic elements, so unless you want to add in several more stitch markers (you don’t), you suck it up and carry on to your triumphant end.

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One of the more entertaining parts of this process was blocking the socks once they were finished. As already established, this yarn is super dark. So dark that it looks like a different color in every single picture, I know. (The most accurate ones are probably the first one up top, and the one of the skein by itself. Everything else is a mishmash of electric blue and magenta.) It takes a lot of dye to make sock yarn that saturated.

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Meaning that my sink, which is already kind of a strange shade of pink, was looking pretty festive after the socks came out. Funnily enough, even though they left behind hot pink water, there was not a single mark on the towel that they were left on to dry. Must have some kind of magic, those Mountain Colors people.

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These socks, after their brief photoshoot and moment in the spotlight, are being sent along to a lady who really loves her purple, and I do not think she will be disappointed.

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I feel similarly after knitting these socks as I do after every knitting project that I would call “challenging” or one that introduces me to a new technique or construction method. I get so excited to knit them that I fly through them and sacrifice important things like vacuuming my house regularly in order to complete them. And then after that…I’m a little sad. I wish that I had gone a little bit slower and let them last a little longer, much like when reading the last chapter of a great book, you simultaneously need to know what happens next, but also are painfully aware that the end is coming.

Maybe that just means that I need to knit another pair.

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